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The Complete Book of Polymer Clay

The Complete Book of Polymer Clay

SKU# 071281

Step-by-step instructions, original projects, inspirational gallery

Lisa Pavelka

Paperback

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Details
  • Product # 071281
  • Type Paperback
  • ISBN 978-1-60085-128-5
  • Published Date 2010
  • Dimensions 9 1/2 x 10
  • Pages 228
  • Photos 425 color photographs
  • Drawings and 10 drawings
If crafts are big, then clay is colossal. From pins and pendants to bracelets, buttons, and embellishments, crafters of all ages are embracing the creativity that polymer clay inspires. This encyclopedic book by renowned expert Lisa Pavelka includes the latest techniques, handy tips, and trade secrets.

Pavelka presents a sweeping overview of materials, how-to fundamentals, and construction techniques. She also introduces six original projects with complete instructions showing readers how to make pendants, curio boxes, a necklace, and a bracelet. Clear, concise, and comprehensive, this is an essential addition to any crafter's library, no matter his or her skill level. For even more inspiration, this indispensable reference features a gallery of 50 original projects by Pavelka and other talented polymer clay designers.
Table of Contents
Polymer Clay Essentials
A Brief History of the Medium
Types of Polymer Clay
Liquid Clay
Safety First
Work Surfaces
Clay Conditioning and Handling
Baking
Clay Storage
Color Basics
Color Recipes
Finishing

Tools and Accessories
Tools
Clay Forming
Adhesives
Cutting and Shaping Tools
Textures
Inclusions and Surface Treatments
Finishes

Skinner Blending
Basic Skinner Blending
Multiple-Color Skinner Blending
Creating Surface Sheets
Gradient Loaves
Ribbons

Millefiori Caning
Striped Jelly-Roll Canes
Leaf Canes
Flower Canes
Gradient Checkerboard Cane
Gradient Heart Cane
Smoosh Canes
Junk Canes

Image Transfers
Waterslide Transfers
Custom Inkjet Transfers
Preprinted Waterslide Transfers
Stamps as Transfers
Liquid Clay Transfers
Toner-Based Transfers
Coloring Toner Transfers
Deli Paper Transfers

Mokumé Gané
Stamped Mokumé Gané
Bladed Mokumé Gané
Indented Mokumé Gané
Folded Mokumé Gané
Rolled Mokumé Gané

Mica Shift Effects
Mica Shift Surface and Border Treatments
Mica Shift Checkerboard Cane
Embossed Mica Shifting
Mosaic Mica Shifting
Wood Grain Mica Shifting

Leaf and Foiling Effects
Metal Leafing
Polymer Clay Foil
Applying Foil
Foil Textures and Dimensions
Foil Pattern Resists
The Pavelka Peel

Faux Effects
Faux Opal
Faux Turquoise
Faux Raku
Faux Ivory
Faux Cinnabar
Faux Rust

Stamping
Basic Sutton Slice Sheet
Advanced Sutton Slice Concepts
Textile Effect
Faux Tapestry
Additional Embossed-Clay Effects

Assembly, Formation, and Structure
Three-Step Mosaics
Carving
Hollow Forms
Pillow Forms
Puff Forms
Nontwist Suspension Method for Hanging Puff Forms
Flowers
Ribbon Roses
Layered Roses
Cutter Boxes
Stencil Frames

Surface Treatments
Marbling
Barber Pole Striping
Border Treatments
Stencil Gané
Silk Screening
Granulars

Finishing Touches and Final Thoughts
Scrap Clay
Additional Thoughts on Molding
Leafing Pens
Suspending Clay
Tube Attachments
Fold-Over Bails
Connecting Pieces to Jump Rings
Fancy or Coil-Wrapped Eyes

Projects to Make
Suspended Crystal Pendant
Magic Mirror
Swirly Whirly Faux Art Glass Bracelet
Faux Dichroic Shield Pendant
Image Transfer Inro Amulet
Sutton Slice ?About Face? Case

Gallery of Polymer Clay Art

Appendix I: Troubleshooting for Polymer Clay
Appendix II: Glossary of Polymer
Clay Terms
Resource Guide
Index
Introduction
I begin this book with a bit of a disclaimer. Considering the hundreds of techniques and applications for polymer clay, those known and those yet to be discovered, it would be impossible to offer the truly "complete" book of clay. As a part of a book series, this book is offered to provide a comprehensive collection of most of the commonly known and universal techniques and applications for polymer clay, including a few of my own.

One would be hard pressed to work with an artistic medium as dynamic, versatile, and forgiving as polymer clay. Developed in the 1930s in Germany, this incredible material has undergone numerous changes over the course of its evolution. New formulations, new colors, and even liquid versions have appeared over the years. Without a doubt, this evolutionary process will continue to move forward, offering new techniques and applications.

The popularity of polymer clay began to grow exponentially after the introduction of individually colored clays in the 1980s. The ongoing improvements of clay formulas plus the introduction of new tools and accessories (including those that have crossover applications for clay) also continue to build public awareness of the medium and its versatility.

My adventures in clay began in the late 1980s, while searching for an artistic medium that would be safe to work with while being a stay-at-home mom. It was love at first touch! I, like so many others who pick up their first bar, was hooked. Polymer clay became my "fork in the road," the path that diverted me from my original intention to return to a television career when my kids started school. I never envisioned becoming a full-time artist, author, teacher, and designer, but the introduction of this amazing modeling compound was nothing short of miraculous.

The single most interesting phenomenon that I find when teaching is that many, if not most, of the people who are trying their hand at clay think it must be difficult to learn and master. Nothing could be further from the truth! I find that, given the proper instruction, resource information, and visual inspiration, most people can produce professional-quality and even saleable results immediately or with a little practice and experience. Polymer clay's tactile appeal is only one of its many attributes and, by far, one of the most important. People are tactile and dimensional creatures by nature. We interpret what we feel, see, and think in a dimensional fashion. Don't believe me?

Close your eyes and picture an apple. Was your mental image a flat picture or an image with curves and dimensional perspective in your mind's eye? If you stop to think about it, you'll realize that you can easily take a 360-degree mental tour of whatever it is you imagine as a picture. It's this ability that enables people to develop a high degree of skill with clay in a short amount of time. We are not two-dimensional creatures, and thus we are tactile by nature.

Polymer clay is the ideal art form, as it can be used by nearly everyone from children and hobbyists to fine artists. It can be manipulated into nearly every shape, texture, and consistency imaginable. Its flexibility as a mixed-media medium is nearly limitless. Polymer clay is truly the chameleon of the art world with its ability to be transformed into convincing versions of nearly any material you can think of'metal, porcelain, precious stones, glass, and more.

Within this book, you'll find techniques and applications both old and new. Some of these are discoveries I've made in my work over the years. Others are the brainchildren of well-known and not-so-well-known clay artists and enthusiasts. Many of these techniques and concepts have gone on to become universal in the clay world, such as the "Skinner Blend" method for creating color gradients, developed by Judith Skinner.

In the effort to maintain an ethical ideal in regard to the contents of this book, I have done my best to credit the originator of techniques whenever possible and to the best of my knowledge. The serendipity of near-simultaneous discovery over the years of same or similar concepts should be taken into account whenever the issue of artistic credit is involved. I consider this the positive proof of our creative ingenuity and imagination.

If you are new to clay and feel even the slightest hint of intimidation, I say feel the fear and clay it anyway! It's not as hard as you might think. If you have already discovered the joy of clay, I hope that you find a wealth of new ideas, techniques, tips, and inspiration within. The benefits of working with clay are many. "Claying around" can offer relaxation, spiritual connectivity, both physical and mental therapy benefits, and simply the satisfaction that comes from working with your hands. For some, it can even be the road to professional and monetary reward. Regardless of your motivation for picking up this book or the benefits you derive, I wish you the best of luck with all of your creative endeavors, and may every day be filled with clay!
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